By Ernst van de Wetering
Volume IV of A Corpus of Rembrandt Paintings offers uniquely with the self-portraits of Rembrandt. In a essentially written explanatory kind the top of the Rembrandt study venture and Editor of this quantity, Ernst van de Wetering, discusses the total physique of labor of work and etchings portraying Rembrandt. He units different parameters for accepting or rejecting a Rembrandt self-portrait as such, when additionally discussing the precise operating atmosphere of Rembrandt and his apprentices. This workshop surroundings created a atmosphere the place apprentices may be all for engaged on Rembrandt work making it more challenging to figure out the hand of the grasp. Van de Wetering, who's one of many Rembrandt specialists of our day and age, is going right down to nice element to provide an explanation for how the various self-portraits are made and what concepts Rembrandt makes use of, additionally giving an outline of which work are to be attributed to the Dutch grasp and which no longer.
In the extra catalogue the self-portraits are tested intimately. In transparent and available explanatory textual content the several work are mentioned, larded with immaculate photos of every portray. info are proven the place attainable, in addition to the result of modern-day technical imaging like X-radiography.
This murals heritage and paintings examine could be a part of each severe paintings ancient institute, college or museum. Nowhere within the paintings historical past have all Rembrandt’s self snap shots been mentioned in such precise and comparative demeanour by means of an expert akin to Ernst van de Wetering. this can be a typical paintings for many years to return.
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Extra info for A Corpus of Rembrandt Paintings: The Self-Portraits
C. :M. de Baar, TIe Rembrandt Documents, New York 1979 W. Sumowski, 'Nachtrage zum Rembrandtjahr 1956', Wissenschoftliche Zeitschrifl der Humboldt-Umoersitat ;::u Berlin, Gesellschafts- und sprachwissenschaftliche Reihe 7 (1957/58) nr. 2, pp. 223-247 W. Sumowski, Drawings ofthe Rembrandt School 1 - 10, New York 1979 - 1992 W. Sumowski, Gemalde der Rembrandt-Schuler I - VI, Landau/Pfalz 1983 P. Terwesten, Catalogus of naamlyst van schilderyen met derreloer pry;::en ... , vol. III, The Hague 1770 Chr.
101 (Ben. 1171), 104-107, 108 (Ben. 1176), 109, 110 (Ben. 432). 57 Chapter III, pp. 151-154, figs. 101-103 (Ben. 1171, Br. 42, B. 22). 58 'zijn konst openbaer te maken', S. van Hoogstraeten, Inleyding tot de hooge schoole der schilderkonst, Rotterdam 1678, pp. 195-197. 59 See notes 29 and 32. 60 Chapter III, figs. 119 (prototype for Br. 1), 123 (Br. 3), 124 (copy after Br. 3), 135 (prototype for Br. 6), 136 (Br. 6). 61 Chapter III, figs. 137 (Br. 7), 29-31 (Br. -Gcrson 47A). 62 See Chapter III, pp.
120; IV 11 fig. 4 NAPLES, Museo Nazionale di Capodimonte (photo Gabinetto fotografico Soprintendenza alle Gallerie Napoli): IV 28 fig. 5 NEW YORK, The Frick Collection: Chapter II fig. 33; Chapter III figs. 272, 286, 287, 296, 297; IV 14 figs. 1,2,3,4 -, The Metropolitan Museum of Art, Bequest of Benjamin Altman, 1913: Chapter III figs. 67, 299, 306, 311, 313, 326, 327; IV 20 figs. 1,2,4,5,6 -, -, - (photo Brookhaven, Laboratory Upton, New York Photography Division): IV 20 fig. 3 -, -, Bequest of Mrs.
A Corpus of Rembrandt Paintings: The Self-Portraits by Ernst van de Wetering